Kadare was born on January 28, 1936 in the Palorto neighborhood of Gjirokastra, in a citizen Bektashi family, the son of Hali Kadare and Hatixe from Dobatët, thus having an ancestor from his mother, Bejtje Hoxhë Dobi. The name was given to him in memory and honor of his grandfather. As a child, he spent a lot of time in the library of his maternal grandfather, who was a judge educated in Istanbul. His father worked as a postman of the city court, in 1920 he was among the 218 volunteers from Girokastri who participated in the War of Vlora.

When the communist regime was established in Albania, he was only 8 years old. He finished primary and secondary school in Gjirokastër.

When he was 13 he discovered Shakespeare's Macbeth, and thus his love for literature was born. At this age, he wrote his first stories, which he published in the magazine "Pioneri" in Tirana. At the age of 17, he wrote two poems about Stalin, which, according to Malcolm, helped lead to the publication of his first book at the age of 18, a poetry collection entitled Boyish Inspirations.

He completed his university studies in Tirana, where he lived at his aunt's house and after inviting him, for almost two years (1957-'58) he lived with Nasho Jorgaq. In 1958, he graduated from the Department of Language and Literature at the University of Tirana and graduated as a Teacher. He wrote his first novel "Mjegullat e Tirana", which he finished on the eve of continuing his studies in the Soviet Union.

In the years 1958-1960 he studied in Moscow, at the Institute of World Literature "Maxim Gorky", during the Khrushchev period. There he had the opportunity to read contemporary Western literature, which had begun to be translated into Russian.

Throughout the 50s and early 60s, he was known for his poetry, and starting from the 60s, he was also known for his prose. In that period, most of the writers belonged to the post-war generation. After returning from Moscow, he was advised to keep the work "City without advertising" hidden. He separated a fragment from this novel, which was published as a novel with the title "Cafe Day" in 1962 in "Zëri i Riinė".

In 1963, he published the novel "The General of the Dead Army", which dealt with the theme of an Italian general and a priest who come to Albania to receive the remains of Italian soldiers who died in the Second World War. The follow-up novel, "Monster", was published in "Nëntori" magazine, but was banned.

At the beginning of 1970, the French publishing house "Albin Michel" published the novel "The General of the Dead Army" in French. It had a tremendous impact in France and was translated into almost 20 languages ​​within three years.

Then he returned to historical topics. He wrote and published the novels "Castle" (1970) and "Chronicle in Stone" (1971), which were published in France one after the other. During these years, he also managed the only foreign language magazine of the League of Writers, "Les Lettres albanaises". After the success in France, he was appointed deputy and after two years he joined the Labor Party of Albania.

After the publication of two novels with a historical theme, Kadare again faced criticism for avoiding "current" themes, so he thought of writing a novel on the theme of the breakup of Albania with other communist countries in the winter of 1960-1961, which then he had free hands to return to Albanian history and legends for which he was criticized for neglecting New Albania. He gave the novel the title "The Winter of Great Solitude". As soon as it came out in early 1973, thanks to criticism, it was edited and republished in 1977 under the changed title "The Great Winter" and also translated into French.

In 1989, the authorities appointed him vice-chairman of the Democratic Front. Using his fame in Albania and abroad, he made more and more vocal statements about the necessity of changes, especially in the field of human rights. In the preface to Neshat Tozaj's brave novel "Knives" (1989) denouncing the violations of the Security, Kadare asserted that only by admitting and correcting past mistakes could Albania move forward. In February 1990, Kadare requested a meeting with Ramiz Ali where he asked him to respect human rights, implement democratic reforms, economic reforms and open up to the outside world.

After leaving Tirana and applying for political asylum in France, he was able to practice his profession in complete freedom. His exile in Paris was fruitful and allowed him further success, both in Albanian and in French.

After the victory of the Democratic Party in 1992, Kadare returned to Albania. From 1990 onwards, his work became the most powerful expression of the linguistic and artistic values ​​of literary Albanian, both inside and outside the country. Ismail Kadare's literature after 1990 carries the same essential features of the previous one: the ethnographic spirit and the manifestation of the Albanian identity, adding the author's freedom to address topics that could not be addressed freely before.

In 1996, he was admitted to the Academy of Social and Political Sciences in France, where he replaced the philosopher Karl Popper. From 1994 to 2004, the French publishing house "Fayard" published the complete works of Kadare in French and Albanian. During the 90s, he helped the publication of many Albanian authors in France, either by suggesting them to French publishers, or by writing their forewords. In the 90s, Kadare lobbied for Kosovo and supported the NATO bombing against Serbia.

Over the years, he has declared that he has given up writing poetry (1997) and fiction (2011)./Oranws.tv/